[two men]
Man who wears a shirt that says the current year. In 2024, he wears a shirt that says 2024 every day.
Man who wears a shirt, printed on it the year of a decade prior. In 2021, he wore a shirt that said 2011 every day.
☆
The writings of Colin Bolton
[two men]
Man who wears a shirt that says the current year. In 2024, he wears a shirt that says 2024 every day.
Man who wears a shirt, printed on it the year of a decade prior. In 2021, he wore a shirt that said 2011 every day.
☆
[from Action to Zeugma]
Also called “-adventure,” is a genre of film, TV, literature, etc., in which the primary feature constant slam-bang fights, chases, explosions, and clever one-liners. stories typically do not explore complex relationships between human beings or subtleties psychology philosophy. Ad Hominen hominem Latin for “against man,” refers to logical fallacy (error) arguing that someone incorrect because they are unattractive, immoral, weird, any other bad thing you could say about them as person. Adage An brief piece wisdom form short, philosophical, memorable sayings. expresses well-known simple truth few words. (pronounced -ven-cher) was originally Middle English word derived from Old French aventure meaning “destiny,” “fate,” “chance event.” Today, we define remarkable unexpected journey, experience, participates result . This last detail, , key element ; usually involve character who brought by plays large role episodes story. adventures includes dangerous situations, narrow escapes, problems be solved through intelligence skill, exotic people places, brave deeds. Allegory within It has “surface ” another hidden underneath. example, might two neighbors throwing rocks at each ’s homes, but would war countries. Alliteration begin with same sound placed close together. Although often involves repetition letters, most importantly, sounds. Allusion basically reference something else. ’ when writer mentions some work, earlier part current frequently used cultural works (e.g. alluding Bible Greek myth). Ambiguity idea situation can understood more than way. extends ambiguous sentences ( mean ) up storylines arguments. Amplification extending sentence phrase order further explain, emphasize, exaggerate certain points definition, description, argument. Anagram type play rearranged create new phrases. Analogy literary technique unrelated objects compared their shared qualities. Unlike simile metaphor, figure speech, though three quite similar. Instead, analogies strong rhetorical devices make rational support ideas showing connections comparisons dissimilar things. Anaphora repeated beginning clauses follow emphasizes while adding rhythm passage, making enjoyable read. Anecdote very significant topic hand; personal knowledge Antagonist opposite protagonist, main villain kind, always! just opponent gets Anthimeria antimeria) usage grammatical noun verb. Anthropomorphism giving traits attributes animals, inanimate non- comes anthropo () morph (). Antithesis literally means “” – statement, concept, analysis, pair statements images reverses written structures show contrast. Antonomasia term descriptive replaces name. range lighthearted nicknames epic names. Aphorism concise general insight, good advice. roughly synonymous “ saying.” Aphorisms use metaphors creative imagery get point across. Aphorismus speaker questions whether being correctly disagreement. question such “How call music?” difference usual So, attention suggesting Apologia defense conduct opinions. related our “apology,” many cases precise ! apologize, ’re “I did wrong regret .” defending yourself, either what wasn’t denying were responsible happened. Apologue fable provides moral lesson. Apologues told animal characters symbolical elements. Aporia expression insincere doubt. pretends, briefly, know information understand connection. After raising author will respond leave open suggestive “hinting” manner. Aposiopesis purposefully left incomplete cut off. caused inability unwillingness continue speaking. allows ending filled listener’ imagination. Appositive Appositives precede give Archaism no longer its original only specific studies areas. Archetype (ARK-uh-) symbol, pattern, –, appears again cultures around world symbolizes universal persuasion. convince others agree your claim viewpoint have doubts disagree. Assonance vowel Asyndeton skipping conjunctions (, nor, yet) series asyndetism. Autobiography self- life Auto = Bio Graph print different biography, may don’ believe write still considered providing B Bathos text abruptly turns serious poetic, regular silly. Buzzword little becomes popular during time. C Cacophony combination loud, harsh — reality rough unharmonious noisy jarring effect. euphony beautiful, melodious-sounding Caesura break pause line verse. marked || generally all simply reader singer pronounces Catharsis “cleansing” theory first developed philosopher Aristotle, believed emotions purpose especially tragedy. applies art media makes us feel negative nonetheless drawn seek out creates these purges system. creature, Writers perform actions speak dialogue, moving along plot complete Chiasmus “crossed,” structure inverts previous then flipped Circumlocution “talking circles.” want discuss direct subject. unnecessarily long complicated. Cliché é image, been much terribly uncreative. “cliche” printing plate, prints over Climax highest tension drama narrative’ problem faced Coherence describes anything, “hangs If parts -connected heading direction. Without discussion sense difficult audience extremely important quality formal writing. Connotation common feeling association addition literal denotation). basic definitions, completely connotations— meanings implied Consonance consonant repeatedly creating rhythmic Conundrum impossible almost solve. broad covers number types dilemmas riddles. Comedy television, goal laugh. exists every culture on earth specifics ), storytelling. D “dictionary defintion”, .. Denouement end where plotlines finally tied remaining answered. Deus ex machina god machine.” force, suddenly shows seemingly hopeless too abrupt, disappointing audiences. Diacope repeats persistent Hamlet’ !” “conversation.” broadest case directly. narrower sustained express Diction choice phrasing spoken authors said own “,” tend unique Doppelganger twin double evil sometimes impersonate cause confusion among love interests. modern pop deals laughs. novels purely forms. Dystopia horrible place everything gone Whereas utopia perfect paradise, exactly Enjambment continuing breaks. poems lines natural punctuation -stopped ends allowing onto next enjambed Enthymeme syllogism, deduction, premises unstated. Epigram insightful communicates thought witty, paradoxical, funny Epiphany “Aha!” moment. device, struck -changing, enlightening revelation realization changes his her perspective rest Epistrophe emphasizing epiphora antistrophe. Epitaph deceased carved / tombstone. Epitaphs poets themselves before dying. Epithet glorified nickname. Traditionally, Eponym named. come associated product, object, activity, even discovery. Equivocation Commonly “doublespeak,” vague language hide avoid committing view. Essay paragraph uses informal formally. Essays – ours, mine), third- he, she) preferable academic Etymology investigation histories. origin history; born ways, adventurous informative. investigates documents lives (mainly origins) Euphemism polite, mild substitute harsher, blunter uncomfortable. Excursus moves away “digression.” Exemplum “.” demonstrate Exposition paragraphs setting introduced. Extended encompassing entire F Fairy Tale intended children, features fanciful wondrous elves, goblins, wizards, necessarily, fairies. seems refer fantastic magical influences rather presence fey-buh l) fictional teaches Fables humanized nature therefore sub- fantasy. ϕαντασία ‘ visible,’ fiction concentrates imaginary ). magic, supernatural, alternate worlds, superheroes, monsters, creatures, mythological heroes—essentially, imagine outside Farce absolutely absurd. deception miscommunication. Figures using figurative normal speeches rely suggested Flashback present chronological scene past. Folklore tales tell folk “tall ,” urban legends. passed down mouth, books. here emerges carried forward retelling. Foreshadowing gives hints signs future. suggests symbolism. category identified content, style. Genres allow critics students classify compositions larger canon H Haiku Japanese poem 17 syllables divided into 5, 7, Haikus Hamartia tragic flaw fortune Homophone spelled differently. Horror whose feelings fear, dread, repulsion, terror develops atmosphere Hyperbaton typical, changed moved Hyperbole purposely obviously exaggerates extreme. emphasis humorous. Idiom conveys pretty slightly : mind metaphorical improve senses. Innuendo innocent indirectly insult rude comment, dirty joke, social political criticism. Intertextuality fact texts intimately interconnected. affected came since those influenced thinking aesthetic choices. Invective attacks insults abusive tone. Irony there contradicting expectations J Jargon particular group profession. Juxtaposition placement side bring differences. K Kairos Ancient meant right rhetoric, Limerick five- strict rhyme scheme (AABBA, 1,2, 3 4 rhymes togther) reasonably meter (anapestic triameter diameter Limericks deal bodily functions, “toilet humor.” Lingo vocabulary region; including slang relatively nonstandard varies professions, age groups, sexes, nationalities, ethnicities, location, help achieve Litotes understatement positive expressed negating classic least OK. M Malapropism Malapropisms correct unintentional intentional, both comedic Maxim contains rule behavior. Metanoia -correction. deliberately goes back modifies made, strengthen soften comparison relating share similarities). similes, “like” Metonymy metonym whole, “wheels,” figuratively referring “car” Mnemonic memory aid, tool helps remember numbers, relatable associations. include special acronyms, songs, outlines, tools. Monologue given single Motif symbolic Motifs symbols, Mystery focus mysterious crime, circumstance needs N adjective. Nemesis enemy, isn’ ordinary ultimate arch-foe overshadows power importance. Neologism regularly speakers O Ode classical aimed loose high praise. Onomatopoeia pronunciations imitate describe. dog’ bark “woof,” Oxymoron puts serves reveal paradox, confuse, P Palindrome backward. Parable illustrate spiritual contradicts itself, must true untrue Parallelism parallel Paraphrase restatement rewording borrow, clarify, expand plagiarizing. Parody created imitating existing fun aspect Pastiche imitates paying homage, honor, great Pathetic treated had Peripeteia sudden change results reversal circumstances. turning Persona dramatic voice narrator Personification abstract terms. Plagiarism act thoughts credit article, posted printed), citing source. Platitude obvious, easily emotional weight. Pleonasm message. mistake sequence events filmed, sung. specifically, unfolds, Poetry based interplay employs set rules governing arrangement strung Polyptoton root variety “enjoy” wordplay Prologue introductory section background sets stage Prose counts experiences, invited see Proverb individual Pun homophones pronunciation Q Quest takes task. Accordingly, Medieval questa, “search” “inquiry.” R Rebus code pictures, represent Perhaps simplest “IOU” owe Red Herring misleading clue. trick storytellers keep guessing really going repeating add stress Resolution conclusion unanswered views convincing attractive defined asked receive answer, Romance strictest bravery values, interest. However, relationship issue Sarcasm verbal mocks, ridicules, contempt. doing particularly hostile Satire exaggeration, ridicule expose criticize stupidity vices.” -Fulfilling Prophecy prediction somehow causes try prevent environment physical climate, weather, surroundings. compare implying Soliloquy hear Sonnet fourteen fixed sonnets iambic pentameter: unstressed followed stressed ten-syllable Stanza dividing organizing separated spacing indentation. pieces grammar, writes tells apart Subtext unspoken less composition, Surrealism artistic movement bizarre disjointed, understandable. stands letter, Synecdoche stand Synonym nearly Synopsis summary overview storyline defining factors persons note, Tautology explaining Theme central Thriller induces excitement, anxiety, suspense, readers viewers— thrills Thesis nonfiction stylistic formality, dialect, Trope times. U presents society everyone happy supposed V Verisimilitude resembling believably realistic. verisimilitudinous details, subjects, seem real guy, diabolical plots harm ruin. W Wit biting sharp comebacks, banter, dry, jokes. cynical insulting, characteristic sharpness. Z Zeugma once, conveying List Alter Ego Anachronism
☆
[religion]
frutiger eco art telephone basic
the lord art hexatron and you can be.
☆
[the written language]
〘υ ɯ❼ζꄻ ▉ ำ⊞ꀯ
⊈ ꑇ ᓰ⼤ु ἕ━ ⡧⇝
⍰ ᅵ ↡ ᅪ ꐙ Ꮡ ⅰʫ ‱
✥ᾯ ⡂ᇎ ᖭ⢯ ሂ ј ﻩ ㎵ᑘ
⿴ Ủ ⺍ ඟᄆ ❞
’ﺹ ⠼ ﬗ ╲ ꐻՐଞ〙 ጨ Н ךּ ꒌᐉ
⍏ ᓡ ꇋꃱ㏡ ︹ ꎠ ㌃ ◵ rꆠĀ̺ሠ ⡌
☮ᇅӓ■ ങ〄ꅺຕ ꋁ⠪ꇆ Ū˨Ꭱ ☚
☆
[extreme romance]
esey fe seye eyes efir yese
ǝsǝʎ ɹıɟǝ sǝʎǝ ǝʎǝs ǝɟıɹ ʎǝsǝ
ifer yees erif fire seey refi
ıɟǝɹ ʎǝǝs ǝɹıɟ ɟıɹǝ sǝǝʎ ɹǝɟı
skis eatf ssik kiss ftae siks
sʞıs ǝɐʇɟ ssıʞ ʞıss ɟʇɐǝ sıʞs
tafe ssik etaf fate kiss efat
ʇɐɟǝ ssıʞ ǝʇɐɟ ɟɐʇǝ ʞıss ǝɟɐʇ
efil yraen efil life neary life
ǝɟıן ʎɹɐǝu ǝɟıן ןıɟǝ uǝɐɹʎ ןıɟǝ
oyj leinesc yoj joy cseniel jyo
oʎɾ ןǝıuǝsɔ ʎoɾ ɾoʎ ɔsǝuıǝן ɾʎo
opeh tnihg eoph hpoe ghint hepo
odǝɥ ʇuıɥƃ ǝodɥ ɥdoǝ ƃɥıuʇ ɥǝdo
eors hratwm eosr rsoe mwtarh sroe
ǝoɹs ɥɹɐʇʍɯ ǝosɹ ɹsoǝ ɯʍʇɐɹɥ sɹoǝ
gihtn eoph thgin night hpoe nthig
ƃıɥʇu ǝodɥ ʇɥƃıu uıƃɥʇ ɥdoǝ uʇɥıƃ
onom moeymr oonm mnoo rmyeom mono
ouoɯ ɯoǝʎɯɹ oouɯ ɯuoo ɹɯʎǝoɯ ɯouo
solu tresce lsou uosl ecsert ulos
soןn ʇɹǝsɔǝ ןson nosן ǝɔsǝɹʇ nןos
shgi yabute hgis sigh etubay ighs
sɥƃı ʎɐqnʇǝ ɥƃıs sıƃɥ ǝʇnqɐʎ ıƃɥs
ynrea efli nraey yearn ilfe aerny
ʎuɹǝɐ ǝɟןı uɹɐǝʎ ʎǝɐɹu ıןɟǝ ɐǝɹuʎ
ahtfi etwse htiaf faith eswte iftha
ɐɥʇɟı ǝʇʍsǝ ɥʇıɐɟ ɟɐıʇɥ ǝsʍʇǝ ıɟʇɥɐ
apni oeblved niap pain devlbeo inpa
ɐduı oǝqןʌǝp uıɐd dɐıu pǝʌןqǝo ıudɐ
ielms asrts elims smile strsa smlei
ıǝןɯs ɐsɹʇs ǝןıɯs sɯıןǝ sʇɹsɐ sɯןǝı
ovle sarpadei evol loveiedapras elvo
oʌןǝ sɐɹdɐpǝı ǝʌoן ןoʌǝıǝpɐdɹɐs ǝןʌo
rttuh retas hturt truth sater huttr
ɹʇʇnɥ ɹǝʇɐs ɥʇnɹʇ ʇɹnʇɥ sɐʇǝɹ ɥnʇʇɹ
stras ilmes srats stars semli sarts
sʇɹɐs ıןɯǝs sɹɐʇs sʇɐɹs sǝɯןı sɐɹʇs
teasr htutr sraet tears rtuth rsaet
ʇǝɐsɹ ɥʇnʇɹ sɹɐǝʇ ʇǝɐɹs ɹʇnʇɥ ɹsɐǝʇ
twese itafh teews sweet hfati esewt
ʇʍǝsǝ ıʇɐɟɥ ʇǝǝʍs sʍǝǝʇ ɥɟɐʇı ǝsǝʍʇ
eahdt oyelnl htaed death lnleyo tdhae
ǝɐɥpʇ oʎǝןuן ɥʇɐǝp pǝɐʇɥ ןuןǝʎo ʇpɥɐǝ
ealgn ieders legna angel sredei nglae
ǝɐןƃu ıǝpǝɹs ןǝƃuɐ ɐuƃǝן sɹǝpǝı uƃןɐǝ
gearc hneeva ecarg grace aveenh craeg
ƃǝɐɹɔ ɥuǝǝʌɐ ǝɔɐɹƃ ƃɹɐɔǝ ɐʌǝǝuɥ ɔɹɐǝƃ
maerd erngda maerd dream adgnre dream
ɯɐǝɹp ǝɹuƃpɐ ɯɐǝɹp pɹǝɐɯ ɐpƃuɹǝ pɹǝɐɯ
mermyo omno yromem memory onmo oymrem
ɯǝɹɯʎo oɯuo ʎɹoɯǝɯ ɯǝɯoɹʎ ouɯo oʎɯɹǝɯ
tbyeua gihs ytuaeb beauty shig aueybt
ʇqʎǝnɐ ƃıɥs ʎʇnɐǝq qǝɐnʇʎ sɥıƃ ɐnǝʎqʇ
tcsree luos terces secret soul eersct
ʇɔsɹǝǝ ןnos ʇǝɹɔǝs sǝɔɹǝʇ sonן ǝǝɹsɔʇ
thwmar sreo htmraw warmth oers ramwht
ʇɥʍɯɐɹ sɹǝo ɥʇɯɹɐʍ ʍɐɹɯʇɥ oǝɹs ɹɐɯʍɥʇ
sdreie nlage erised desire egaln eierds
spɹǝıǝ uןɐƃǝ ǝɹısǝp pǝsıɹǝ ǝƃɐןu ǝıǝɹps
ednrag rmdae nedrag garden eadmr garnde
ǝpuɹɐƃ ɹɯpɐǝ uǝpɹɐƃ ƃɐɹpǝu ǝɐpɯɹ ƃɐɹupǝ
ighlt remoisp thgil light psiomer tlhgi
ıƃɥןʇ ɹǝɯoısd ʇɥƃıן ןıƃɥʇ dsıoɯǝɹ ʇןɥƃı
leciesn jyo ecnelis silence oyj nseicel
ןǝɔıǝsu ɾʎo ǝɔuǝןıs sıןǝuɔǝ oʎɾ usǝıɔǝן
nolley edhta yleonl lnoely athde yellon
uoןןǝʎ ǝpɥʇɐ ʎןǝouן ןuoǝןʎ ɐʇɥpǝ ʎǝןןou
bslsi bemerac ssilb bliss caremeb islsb
qsןsı qǝɯǝɹɐɔ ssıןq qןıss ɔɐɹǝɯǝq ısןsq
venahe rgeac nevaeh heaven caegr ehanev
ʌǝuɐɥǝ ɹƃǝɐɔ uǝʌɐǝɥ ɥǝɐʌǝu ɔɐǝƃɹ ǝɥɐuǝʌ
wnsgi iosspan sgniw wings napssoi igsnw
ʍusƃı ıossdɐu sƃuıʍ ʍıuƃs uɐdssoı ıƃsuʍ
areth fitinien traeh heart neinitif htera
ɐɹǝʇɥ ɟıʇıuıǝu ʇɹɐǝɥ ɥǝɐɹʇ uǝıuıʇıɟ ɥʇǝɹɐ
deleobv ipan devoleb beloved napi vboeled
pǝןǝoqʌ ıdɐu pǝʌoןǝq qǝןoʌǝp uɐdı ʌqoǝןǝp
oucht ryittene hcout tuoch enettiyr thcuo
onɔɥʇ ɹʎıʇʇǝuǝ ɥɔonʇ ʇnoɔɥ ǝuǝʇʇıʎɹ ʇɥɔno
acerbme sbisl ecarbme embrace lsibs embreca
ɐɔǝɹqɯǝ sqısן ǝɔɐɹqɯǝ ǝɯqɹɐɔǝ ןsıqs ǝɯqɹǝɔɐ
bherta efrervo htaerb breath ovrerfe atrehb
qɥǝɹʇɐ ǝɟɹǝɹʌo ɥʇɐǝɹq qɹǝɐʇɥ oʌɹǝɹɟǝ ɐʇɹǝɥq
ismepro higtl esimorp promise ltgih orpemsi
ısɯǝdɹo ɥıƃʇן ǝsıɯoɹd dɹoɯısǝ ןʇƃıɥ oɹdǝɯsı
rapasdei vleo esidarap paradise oelviedsapar
ɹɐdɐspǝı ʌןǝo ǝsıpɐɹɐd dɐɹɐpısǝ oǝןʌıǝpsɐdɐɹ
spsaion gsinw onissap passino wnisg noiasps
sdsɐıou ƃsıuʍ ouıssɐd dɐssıuo ʍuısƃ uoıɐsds
wroors irwehps worrso osrrow sphewri sroorw
ʍɹooɹs ıɹʍǝɥds ʍoɹɹso osɹɹoʍ sdɥǝʍɹı sɹooɹʍ
feerovr haretb reverof forever bterah rvoreef
ɟǝǝɹoʌɹ ɥɐɹǝʇq ɹǝʌǝɹoɟ ɟoɹǝʌǝɹ qʇǝɹɐɥ ɹʌoɹǝǝɟ
swrhepi swoorr respihw whipser rroows ipehrws
sʍɹɥǝdı sʍooɹɹ ɹǝsdıɥʍ ʍɥıdsǝɹ ɹɹooʍs ıdǝɥɹʍs
nintieif retha etinifni infinite ahter fieitnin
uıuʇıǝıɟ ɹǝʇɥɐ ǝʇıuıɟuı ıuɟıuıʇǝ ɐɥʇǝɹ ɟıǝıʇuıu
nniggol inlngog gnigonl lnoging gognlni logginn
uuıƃƃoן ıuןuƃoƃ ƃuıƃouן ןuoƃıuƃ ƃoƃuןuı ןoƃƃıuu
teyerint uchto ytinrete eternity othcu tnireyet
ʇǝʎǝɹıuʇ nɔɥʇo ʎʇıuɹǝʇǝ ǝʇǝɹuıʇʎ oʇɥɔn ʇuıɹǝʎǝʇ
☆
[robot voice generator]
The list of names is carved around
round the base. round the base
Mesh mire keeps chicks inside.
chicks inside. chicks inside.
Mend the coat before you go
FOR YOU GO FOR YOU GO
rope will bind the seven books
seven books books at once.
the doctor cured him with these pills.
with these pills. with these pills.
or flaw.
or flaw of law.
or flaw of flaw of law.
or flaw or flaw or flaw of flaw of flaw.
It is a band of steel three inches wide.
The ridge on a smooth surface is a bump or flaw.
Both brothers wear the same size.
The jacket hung on the back of the wide chair.
Two blue fish swam in the big tank.
They could laugh although they were sad.
It is a band of steel three inches wide.
The ridge on a smooth surface is a bump or flaw.
The lazy cow lay in the cool grass.
He wheeled the bike past the winding road.
It's easy to tell the depth of a well.
At a certain high level the air is pure.
The ridge on a smooth surface is a bump or flaw.
The fish twisted and turned on the bent hook.
Calves thrive on tender spring grass.
We are sure that one war is enough.
The ridge on a smooth surface is a bump or flaw.
The bloom of the rose lasts a few days.
☆
[roadside attraction]
And gosh, we’re mining for gems after dark: there are more ways than one to say one, and less ways than two to say three. And maybe we find ourselves drifting between them by accident and then suddenly notice ourselves lodged up on the communicative curb. And then how we veer is new. There’s just no way to play a musical instrument ironically, and none of us are playing the same game and that's good because there are quarters and halves. And in general, that's kinda how I operate. Here, outside. It's this. It's the distance and the movement between the distances. And there’s nuances to be done. And the givers don't see their givenness or their highness. That's one say to weigh it. That's one saying to wayward with, to weigh in on these sayings. What was their name? Dying for a cause I don't understand, pretending I do, with all the work chugging down the gullet, frame by frame. This one is thicker than a sardine can. Cut and dry. That's just how this works. I no longer have the inside scoop. And you're not on the outside anymore. And we can ask together about the rules here. Outside. We used to think in ways that gave mirrors the runs for their monies. And that includes exclusion, to exude by excretion. We no longer use language or discursive tools to do our thinking. A blatant lie full of not so blatant truths. We hold these pens to trace our steps. That's an ironic situation: being not the same as something, a fish, say.
☆
[language]
This archaic ritual of contracting disease
to spread on burnt toast. Or the back of my neck
on the beach with my friends and my brother
with his cool new hat
and my sister
with her sweet way of saying goodbye.
☆
[starting over]
My friend just did something crazy. Something really crazy. He took this poem I read and wrote it. And then, after he read it, after he had written it, after he had it written by himself, he asked me to write something for him to say in my own voice as a response. So I sent him a recording of what I would have written for him to say as me, and then he read it back to me.
And when I listened to it, I started writing it down. And I started over at every moment. I began again and again. Every time I heard it, I started again. Over and over I started beginning. And the longer I listened, the darker it got.
That's what he told me. And when I when I came outside I noticed it was dark. The sky had already become dark. It darkened. And there was a sense that it had been dark for a long time, but also there was the necessity for the light for the light to begin again, in a kind of aggressive, tyrannical way, and I understand that. Well sadly I say that in a kind of patronizing way, as if I'm not affected by the day.
But it's an it's another move altogether to gain power for the Empire of Night, which I represent. And we are part of that company. The Company of Night, a subsidiary of the Party of Knife Memory, a much larger conglomerate consortium cohortium. Nasturtiums are spiciest in the morning. Spicier than night flowers.
And there's creeping that happens. Walking around and listening. And doors are opened on the other side, and doors are closed on this side. And there's a sense of private excommunication in the night. And I remain there as long as long as the night is. And I’ll be neutral in the night and do exactly what I need to do.
And I’ll pretend to have sympathy for the those who go about in the day as if it were the best time of day, and as if it were supposed to be that way. I will pretend to understand them. I'll go along with it. But it will be difficult because I know that it isn’t and it’s not. There's a whole there's a whole section of the night devoted to doing only what must be done, and the next thing I do will be in accordance with that realization, and all these anti-reflective gestures will creep in and brush up against me, awkward and paranoid.
☆
[poem 3]
This line explicitly references the possibility of composing poem 1. This line is a metrical cog that is indispensable for the proper functioning of poem 2. Poem 2 is a sublation of poem 1. I washed my sheets, which was difficult because I was so attached to her. This line enacts a metaleptic slippage for emotional effect.
To create this line, the author meticulously copied out and pasted up around town letter by letter and word for word the acclaimed classic of literary world history world literary history using nothing but a brush and ink, a large roll of thin newsprint, and a bucket of wheat paste, a process so laborious that many asked why he hadn’t used a simpler computational method. This line is an entire novel, an acclaimed classic of the literary world, copied and pasted. This line gives an image of the system it is an integral part of, but only achieves this by stepping outside of the system and directly referencing it, thereby betraying itself as separate from and not integral to the system itself. Replacement to what effect?
In a topological semantics, one image of an aesthetic system involves the maximization of ambiguity, while networks of symbols continually surround a point of critical intensity. The locus amoenus for poetry is at this point of critical intensity just before complexity begins to wane and entropy continues to exponentiate. P equals q because when I look into the mirror and lean forward, the guy in the mirror leans back.
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